The object they had been invited to scrutinise, in the conservation department of the National Gallery, was a painting on a panel of walnut wood. It showed a long-haired, bearded man gazing straight ahead with one hand raised in blessing, the other holding a transparent sphere.
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Talk with Roberto Muffoletto. If the scars of age are even more visible, so is the youthful beauty of Christ. Whenever possible, the Gallery provides factual information about copyright owners and related matters pertaining to its materials.
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